A practical guide to finding repertoire that suits your voice, for singers starting out or who think they've been put in the wrong voice type.

A new framework for classifying musical theatre and CCM voices, beyond Fach and belt/legit labels. Meet the Vocal Category Spectrum.

By Kayla Collingwood When I was a student studying classical voice, when the topic of passaggio came up, it was typically about the "upper break". It is often the most audibly dramatic register shift, the one audiences notice when it goes wrong. Now, as a teacher working across classical, musical theatre, and contemporary commercial music (CCM), I find myself spending far more time talking about the overall coordination which occurs as we navigate through the registers, the m